Sprüth Magers

Sprüth Magers is a renowned international contemporary art gallery with a rich history and a commitment to presenting groundbreaking exhibitions and projects. Established in 1983 by Monika Sprüth in Cologne, Germany, the gallery has since expanded to include locations in London and Los Angeles, solidifying its reputation as a leading force in the global art scene.

The gallery's early years were marked by a focus on feminist art, with exhibitions featuring works by artists such as Cindy Sherman, Barbara Kruger, and Jenny Holzer. This commitment to promoting women artists remains a cornerstone of Sprüth Magers' programming, with a roster that includes prominent figures like Rosemarie Trockel, Thea Djordjadze, and Pamela Rosenkranz.

Sprüth Magers has been instrumental in introducing American artists to European audiences, playing a pivotal role in the careers of artists like John Baldessari, Ed Ruscha, and Barbara Kruger. The gallery's international perspective is further reflected in its representation of artists from around the world, including Cao Fei, Andreas Gursky, and Thomas Ruff.

Throughout its history, Sprüth Magers has been a pioneer in embracing new media and technology, presenting some of the earliest exhibitions of digital art and fostering the careers of artists working in this field. This commitment to innovation is exemplified by the gallery's support of Cao Fei, a leading figure in the realm of digital and new media art.

Sprüth Magers has also been a strong advocate for public art, collaborating with institutions and organizations to bring art into the public sphere. This includes Pamela Rosenkranz's monumental sculpture "Old Tree" on the High Line in New York City, as well as Jenny Holzer's iconic text-based works displayed on LED screens throughout Stockholm.

In addition to its exhibition program, Sprüth Magers has a robust publishing arm, producing catalogs, monographs, and artist books that document and contextualize the gallery's diverse roster of artists. The gallery's commitment to scholarship and critical discourse is further evidenced by its support of research projects, archival initiatives, and educational programs.