Audemars Piguet Code 11.59 Selfwinding Flying Tourbillon Chronograph (41mm)

Audemars Piguet recently introduced a new version of the Code 11.59 Selfwinding Flying Tourbillon Chronograph, measuring 41mm in diameter. The contemporary design on the dial side showcases the intricate architecture of the Calibre 2952, with components in varying shades of grey and black, creating a subtle yet sophisticated contrast. This carefully selected colour palette is mirrored in the two-tone case, which blends 18-carat white gold and black ceramic.

The structured lines of this timepiece reveal a beautifully complex mechanism, presented in tones ranging from light grey to black. The movement is framed by a slate grey, semi-matt inner bezel, finished with circular snailing, where the seconds scale is printed in white. The architectural bridges, rhodium-toned to give a silver finish, stand in contrast to the blackened mainplate. The barrel bridge, located at 12 o’clock, is also black, enhancing the visual symmetry of the dial’s left and right sides.

The gears are prominently visible, aided by the transparent 30-minute and 12-hour chronograph counters, located at 9 and 3 o’clock, respectively. The time and chronograph readings, marked by polished pink gold hands, are easily readable at a glance. The balance wheel, finished in the same golden tone, emphasizes the intricate workings of the flying tourbillon at 6 o’clock. The multi-layered geometry of the Code 11.59 case showcases a unique blend of black ceramic for the octagonal case middle and crown, paired with 18-carat white gold for the ultra-thin bezel, stylized lugs, and chronograph pushers.

The deep black ceramic used in this model exemplifies the advanced technological prowess of Audemars Piguet’s engineers and watchmakers. Producing components in this material involves a complex process, starting with a secret formula based on Zirconium Oxide powder (ZrO2), followed by various stages of production. Notably, the ceramic loses about a quarter of its volume during the process, which enhances its resistance to scratches. Additionally, the sintering process, carried out at temperatures exceeding 1000°C, intensifies the colour, further highlighted by the refined finishes on the case components.

Hand-finishing ceramic is a challenging task, yet Audemars Piguet maintains its high standards. The brand’s signature combination of polished chamfers and satin-brushing requires a high level of precision and craftsmanship from the team. Furthermore, the movement features an impressive 111 inner angles on the bridges and decorative elements, all meticulously handcrafted by the brand’s artisans. This interplay of finishes creates subtle reflections throughout the watch, adding depth and complexity to the grey and black hues and bringing out the refined details of the design.

The Calibre 2952, first introduced in 2020 on the blue limited edition of the Code 11.59 Selfwinding Flying Tourbillon Chronograph, has since powered multiple iterations of this model. This movement combines the resetting and instant restarting of the chronograph, a complication particularly useful for taking successive chronometric measurements. The sapphire crystal caseback reveals the movement’s intricate decorations and the rhodium-toned 22-carat pink gold oscillating weight, further underscoring the refined craftsmanship that goes into each piece.